Philippians 9

Here's an up-tempo and intense Latin/swing chart to challenge your ensemble. Includes a tenor sax feature and an open solo section, a rhythm section interlude, a slower swing section near the end, and a

Written for Doc Severinsen, this medium fast swing chart is a trumpet solo feature and is an excellent vehicle for a good soloist with high chops. Includes an optional 5th trombone part.

Recorded in 1980 by Rob McConnell and the Boss Brass, this Jobim standard becomes a beautiful solo trombone feature. Both alto saxophones and tenor sax 1 double flute. Baritone sax doubles bass

Written in 1953 for Nat King Cole, Billy May's arrangement of Angel Eyes does a wonderful job of both capturing and expanding upon the dark and sensual melody of what has become one

Bill Holman's treatment of Gerry Mulligan's Apple Core for Mulligan's Concert Jazz Band served as a tour de force for the guest soloist, tenor saxophonist Zoot Sims. Much of this tune featured Sims

This great ballad by Grammy-nominated composer Chris Walden was written to feature trumpet legend Arturo Sandoval. The arrangement moves between up-tempo swing and half-time and features a trumpet soloist

This roaring and challenging Bill Holman chart begins with the vocal soloist solely accompanied by bass. Halfway through the first chorus drums enter, and then at the end of the chorus the whole band

Begin, Began, Begun is a clarinet solo feature with nods to Artie Shaw and Eddie Daniels. The style undergoes changes from a groove with a 16th pattern on hi-hat, to afro-cuban 6/8, to medium

If you have a stellar alto sax player or want to feature a guest artist, this is the chart for you! In 1959, Art Pepper recorded 12 tunes backed by an 11-piece "little big band." The Marty Paich charts

As recorded by Miles Davis and Gil Evans on the iconic 1958 Porgy and Bess album, here is the original studio ensemble arrangement. Instrumentation: Solo Trumpet or Flugelhorn; Woodwind 1: Alto Saxophone;

This publication is based on a set of parts and a reconstructed score that George Russell worked on with an assistant. This newly created score was based on the original, which had apparently become too

One of the most moving pieces in the repertoire, Strayhorn's Blood Count is a beautiful and devastating alto saxophone feature.